Unsigned:
Eva’s Dream
‘Fishing for Urchins’ EP (EVACD1)
‘Eva’s Dream’ Album (EVACD2)
Web Site:www.evas-dream.co.uk
Contact: paul@evas-dream.co.uk
In Brief...
It’s clear that Eva’s Dream have fun making music,
and are very committed to the sound and image they construct; and It’s
refreshing to hear a band interested in promoting peace, looking back into
history for lyrical inspiration. However, the music should be the most vital
aspect in their quest to reach a wider audience. The music, whilst showing
many examples of competent musicianship lacks that spice, that spark to make
them stand out. Without a lot more musical imagination and some deviation from
the rigid constructs of their song writing, Eva’s Dream will struggle to become
a reality in today’s competitive music market.
4/10
Full Review...
Straight Outta Cambridge stride Eva’s Dream, a peace
loving, dual voiced guitar pop quartet, with an EP, ‘Fishing for Urchins’ and an
eponymously titled album.
The first thing that struck me was the care that had been put into
presentation. The CDs arrived in a tidy plastic envelope, with a press release,
a band photo, and a postcard. The CDs themselves are exquisitely packaged, with
Anne Frank photo memorabilia (‘Eva’s Dream’ being a short story by Anne Frank)
conjuring a unique feeling of youthful innocence with a little melancholy.
The ‘Fishing For Urchins’ EP commences with the title track, a guitar loop
fading in following a spoken word sample. Kim Steven’s voice begins to paint
the picture of Anne Frank, incarcerated in her room, dreaming of life away from
the confinement. It’s an effective but ultimately depressing track.
The tempo is increased by track two, ‘Full of Stars’, with a full, lively beat
and some vocal tennis between Kim and Paul Wood. However, the optimism is short
lived, with the third ‘track’, a spoken word performance by Kim, reciting an
Anne Frank diary entry. It’s an interesting idea, but risky on a three track
EP, and in this context it doesn’t work.
Fortunately, the Eva’s Dream album begins far more brightly. ‘Turn & Smile’ is
an enjoyable opener, summery and instantly catchy, and slightly reminiscent of
The Smiths in composition.
Other musical highlights include ‘Understanding Pictures’ and
‘The Picasso Song’,
which run in a similar vein to the opener.
However, just as these are examples of competent musicianship, they also serve
as prime examples of the album’s failings. Kim and Paul’s vocals may not be to
everyone’s taste, and are too rigid and clean to produce any real spark. Also,
some of the lyrical subject matter, whilst interesting in concept, doesn’t work
in reality. The odes to artwork tend to come across as pretentious (Paul sings
‘Rumours abound I’m in love with Picasso, but he’s dead, and this should bother
me?’), and ‘The Lottery Song’ fails to convince: ‘It’s 8pm on a Saturday night,
and you’re watching Mystic Meg’.
Other tracks impede the progress of the album further. ‘The Last of the English
Roses’ features a solo male voice and guitar, and acts as an obstacle to any
flow the album had previously gathered. ‘Hypnotised’ should be an uplifting,
optimistic song, but is spoilt by the decision to avoid any percussion.
‘Homesick Angel’ is the antithesis of musical
escapism, exploring the thoughts of a disillusioned office temp. The bass and
vocals are at odds with each other, and the result is messy and unfocussed.
It’s clear that Eva’s Dream have fun making
music, and are very committed to the sound and image they construct. It’s also
refreshing to hear a band interested in promoting peace, and looking back into
history for lyrical inspiration. However, the music should be the most vital
aspect in their quest to reach a wider audience, and in it’s current form, I
simply can’t see it breaking out any further. They need to inject some spice,
some sort of spark to their music, it must be more exciting; I wanted one of the
tracks to grab me and shake me until I listened; none did. Without a lot more
musical imagination and some deviation from the rigid constructs of their song
writing, Eva’s Dream will struggle to become a reality in today’s competitive
music market.
4/10
Mark Lee
Band: Ian
‘The Dog’ Smith-Hughes Drums
Kim Stevens Bass Guitar &
Vocals
Paul Wood Guitar & Vocals
Glenn Jobson Guitar |
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