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Album:
By The Way
Band:
Red Hot Chili Peppers
Released:
2002
It’s
always very sad when a band that was once vibrant and youthful gets
old and crotchety on you.
Who would have ever thought it would happen to the guys that
did nothing short of excess?
The ones that performed wearing only socks to cover their
genitalia. The madmen
that delivered the inspired cover of Stevie Wonder’s “Higher
Ground”, asked its listeners to “Suck My Kiss”, who spoke eloquently
of the harrowing darkness of heroin use in “Under The Bridge”. Who would ever believe that
the Red Hot Chili Peppers would become light-rock?
Well,
on their latest release, ‘By The Way’, they fall far and fast. It doesn’t take long after
the initial goosing of the title track to realize that something is
truly wrong in Pepper-ville.
Song after song struggles limply from start to finish. No exuberance, no
pyrotechnics of guitar or bass, no primal drumming from the
otherwise excellent stickman, Chad Smith. Nothing. It’s as if the band hired
Peter Cetera of Chicago fame to produce instead of ZZ Top wannabe,
Rick Rubin. You could
plug most of these songs into any radio format that features the
likes of Celine Dion, Billy Joel or Elton John, with nary a raised
eyebrow.
Spit-shine
production, passionless instrumentation, extremely laid back grooves
and laughably bad lyrics all conspire to due this once explosive
band in. The reckless
spirit of recordings past is surgically removed for Top 40
consumption. What the
band strived for on the conceptualized ‘Californication’, now
smacks of superficiality and shows the band in a creative free
fall.
Nothing
on this album is as bad as ‘Cabron’, though. Wildly flamboyant
flamenco-style guitar by John Frusciante leads into a wedding band
rhythm shuffle that could have come from a Casio keyboard for all
anyone knows. Singer
Anthony Kiedis’ hammy antics kick into overdrive with his
pseudo-Spanish accent.
A little sampling of the lyrics: “I am small/But I am
strong/I’ll get it on with you/If you want me to/What else can I
do”. “I come around and
make these get down have a barbecue/Let’s keep the moon awake and do
electric boogaloo”.
Electric Boogaloo?
What
is most frustrating about this particular band’s descent into the
quagmire of banal, lighter-waving anthems is that they never seemed
destined for it. They
always seemed an unstoppable force of fire and fury. This is truly one of the
most stunningly bad albums produced by a major band ever. Is this an indication of the
band’s future? That is
indeed the question.
Brett
Hickman
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